San Francisco: International PC Music Association

M. Toro, C. Rueda, C. Agón, G. Assayag. Journal of Theoretical & Applied Information Technology, vol. 82, issue 1, pp. Collins, N.; McLean, A.; Rohrhuber, J.; Ward, A. (2004). "Live coding in laptop performance". Collins, Nick (2003). "Generative Music and Laptop Performance". Ariza, C. 2005. "Navigating the Landscape of Computer-Aided Algorithmic Composition Systems: A Definition, Seven Descriptors, and a Lexicon of Systems and Research." In Proceedings of the International Computer Music Conference. San Francisco: International Computer Music Association. Ariza, C. 2005. An Open Design for Computer-Aided Algorithmic Music Composition: athenaCL. PhD Dissertation, New York University. Boulanger, Richard, ed. (6 March 2000). The Csound Book: Perspectives in Software Synthesis, Sound Design, Signal Processing, and Programming. Chadabe, Joel. 1997. Electric Sound: The Past and Promise of Electronic Music. Upper Saddle River, New Jersey: Prentice Hall. Chowning, John. 1973. "The Synthesis of Complex Audio Spectra by Means of Frequency Modulation". Collins, Nick (2009). Introduction to Computer Music. Dodge, Charles; Jerse (1997). Computer Music: Synthesis, Composition and Performance. Thomas A. (2nd ed.). New York: Schirmer Books. Heifetz, Robin (1989). On the Wires of Our Nerves. Lewisburg, Pennsylvania: Bucknell University Press. Dorien Herremans; Ching-Hua Chuan; Elaine Chew (November 2017). "A Functional Taxonomy of Music Generation Systems". Manning, Peter (2004). Electronic and Computer Music (revised and expanded ed.). Oxford Oxfordshire: Oxford University Press. Perry, Mark, and Thomas Margoni. 2010. "From Music Tracks to Google Maps: Who Owns Computer-Generated Works?". Roads, Curtis (1994). The Computer Music Tutorial. Supper, Martin (2001). "A Few Remarks on Algorithmic Composition". Xenakis, Iannis (2001). Formalized Music: Thought and Mathematics in Composition. Harmonologia Series No. 6. Hillsdale, New York: Pendragon. 

200ns is adequate for any Sun, but often the faster chips are easier to come by, and there is no harm in buying them. As of Oct 1995, the prices for these chips from Mouser range from US$16.00-23.12. I have no affiliation with Mouser other than as a customer. Dallas Semicondutor makes a clone of the SGS-Thomson M48T02 chips, the DS1642. I've had mixed experience using the Dallas chips in a Sun. My experience is that these chips do not work properly in the following machines: 3/80, SS2, IPX (they fail POST, but otherwise seem OK). IPC. I have no idea whether the Dallas chips work properly in the following: SLC, ELC. Stanislav Sinyagin reports that the M48T12 is another acceptable alternative for the SS1. Here are some other sources for M48T02/8/18 chips (if you know of sources not listed here, please send me email). Any SGS-Thomson distributor that will sell the chips in small quantities should do. Maplin part number DC01B.

Given the above tables, Simon Allen's instructions for the 3/80, and the next section on which tells how to map the NVRAM to virtual memory on sun4c machines, it is a relatively easy matter to see how to stop and start the clock on a sun4c machine. IDPROM. Before I discovered these commands, I used to use procedures like the ones below. The material in this section assumes that you have access to the OpenBoot PROM manual which is part of the Solaris 2.x Answerbook. You can use the OpenBoot monitor to find the virtual address of the NVRAM. From this point, you can modify and look at the NVRAM by using the c! OpenBoot PROM. You can also get the virtual address of the NVRAM by looking at the output of /usr/etc/devinfo -vp under Sun OS 4.1.x or /usr/sbin/prtconf -vp under Solaris 2.x. On sun4c machines, the IDPROM starts at offset 0x7d8 from the start of the NVRAM. From here one can also find the physical address of the NVRAM using pgmap?

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